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Around the celebration of the 24th edition of the Latin Grammy Awards, Seville was filled with concerts and musical events during the week of November 10 to 17. Call & Play was not only at the main gala, the Latin Grammy on the 16th in pavilion 1 of Fibes, but also at the P.O.T.Y Gala, dedicated to Laura Pausini, the Premiere Gala, prior to the Latin Grammy, and the Best New Artist Gala, all recorded and broadcast in streaming.
We carried out a large backline deployment, to provide instruments to the base bands of the galas and the different international artists, including Hammond organs and several pianos, including a Steinway, a Yamaha CFX and a Yamaha C7X that, by the way, Shakira premiered. As for pallets, at the Fibes venue alone we handle more than 200.
Beyond its magnitude, we must highlight that it has been a different experience, because it is on television and live. We had a very good feeling with the American technical production (ACME) and we had the pleasure of working with its production director, and guru of the Gala, Tony Parodi.
At the same time, we were with Universal Music in the Plaza de España, where a concert was held every day, including a Flamenco Gala, Pablo Lopez, Morat, among others, and in the Navigation Pavilion, setting up the stage and stands for the festival of Sony. We also accompanied Warner at the Cruise Terminal with the backline for Danny Ocean and Molotov.
It has been a work of Call & Play Sevilla with the support of the rest of Call & Play offices. In the team of technicians there were people from Barcelona, Malaga, Madrid, Lisbon, Valencia, Euskadi and, naturally, from the capital of Seville.