The original ES-335TD (“TD” for “thinline, double-pickup”) was raging hit simply because it addressed so many different guitarists’ needs in one new design. The arched top and f-holes appealed to jazz and dance-band players who were still attached to the look of traditional Gibson “jazz boxes”, but who appreciated advancements such as a thinline, double-cutaway body. The maple centerblock that ran from neck tenon to end pin reduced feedback and provided the sharper, snappier tone that rock and roll and country players demanded, and also enabled the use of Gibson’s solid new Tune-o-matic bridge and stop-bar tailpiece pairing, which further aided tone and sustain.